Tag Archives: 1937

The interbellum: 1937

1937 proved to be a prolific year.

In this post I am including some pictures with memorials.

One is to Anto Carte. I found him to be a remarkable artist. As mentioned in the plaque, he is the founder of the “Nervia” group, to foster Walloon art. In Brussels, Anto Carte designed the eight stained glass windows representing the life of Jesus in the Koekelberg Basilica.

The other memorial is about Victor de Laveye, a Belgian politician who, according to the memorial, invented the “V” sign (victory) that Churchill used during WW2.

Among the architects signatures displaying the year 1937 the one by J.B. Dewin could disappear soon. This signature can be seen now in one of the façades of the “Edith Cavell” clinic (rue Marie Depage). But the clicnic will be demolished and replaced by an appartment building, so this signature might be lost.

Another architect’s signature is worthwile to be mentioned. It is the one of Georges Troffaes. The pictures depicts what it is called a “plaque de notoriété”. This link points the reader to a picture of a similar “plaque de notoriété” from 1931 of the same architect, of in a house in Yvoir (Belgium).

Finally the picture with the “Anno Domini MCMXXVII” can be seen in the façade of a convent of nuns in rue Langeveld.

A very interesting statue

In summertime I use to have a short walk, after lunch, in the area surrounding my office. One of the spots where I use to strecht my legs is the square Marie-Luise.

The square is beautiful and has one distinct feature, namely a small ornamental lake with a fountain. There are other elements of decoration such as an statues. One of this statues is one called “Naissance d’une nation” “Geboorte van een natie”. It is signed by Marius Vos.

I did some research into the life of this sculptor and I found that he was the son of Hubert Vos and was born in Brussels where is father, a former publisher, was established as bookseller. Afterwards Hubert Vos migrated to the U.S. and became a U.S. citizen. His son Marius followed the artistic path and became sculptor. This statue was cut out for and shown at the U.S. pavilion for the Paris exhibition of 1937.  I found a picture of the statue at that location in page 71 of the August 9, 1937 of the LIFE magazine. The  caption of the picture read as follows:  “US art was represented by this group on the old theme The birth of a nation, by an obscure U.S. sculptor named Marius Vos. All statuary work in the U.S. pavilion was done economically by American in Paris.”

I wonder why the author of the article qualified Marius Vos as an “obscure U.S. sculptor”.

According to a booklet published by the city of Brussels, and titled “Promenades bruxelloises – Trois promenades à la découverte des monuments de la ville de Bruxelles”, the artist donated the statue in 1968 to Brussels, where he was born.  Originally the City Council had planned to plant the statue in the Heyzel Park, in the north of Brussels (where the “Atomium” is located). Ultimately,  it was decided to place the statue where it now stands. A curious detail reported by the tourist brochure is that the vegetation behind the statue helps to render less visible the back of the statue, which was considered as unfinished.

As a final personal consideration I want to add that when seeing this statue I thought that here, in the direct surroundings of the European Union another statue could stand, one that could be have the name “The birth of a union of nations”. Or could even think of a statue to “The death of nations”…

For those interested in this statue here are a few links to people who took pictures of it: